This is even more true in extremely reverberant spaces like cathedrals. This is because the further away from the source sound you are, the more the acoustic properties of the concert hall come into play and, therefore, the more ‘reverberant’ that sound will be. If you go to a concert of classical music, the orchestra sounds very different if you’re sitting in Row A compared to a seat in Row Z. And when you think about it, so they should be. The reverbs we choose to add, curate, design and shape for our productions are a huge part of the auditory experience of listening to music. You’re likely to know that one of the most essential considerations when recording and mixing music is ‘space’. But before we do… Reverb – it’s all about the space, man Why this Valhalla reverb? And, if it’s so good, how should we use it? Well, we’ll get to that. The reverb plugin which shows up repeatedly in the studios of our FaderPro artists and educators is Valhalla’s VintageVerb.
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